SUR LE CONCEPT DU VISAGE DU FILS DE DIEU

ROMEO CASTELLUCCI

thé indignities du everyday life, thé pain and suffering du the body, heedless violence, et then a transubstantiation – one man’s gaze recorded in a painting.

Vous lisez ce: Sur le concept du visage du fils de dieu


Up venir what alloue can théâtre help nous confront quel is higher than nous are, when everything is acquired from the mundane? A man getting prêt to go to work mise his ageing father in front de the television collection when all of sudden a stain appears, spreading over the white canapé where thé old homme is seated. The le sien patiently sets around cleaning increase after his father. Looking nous serenely from thé backdrop is auto huge et implacable visage of a Renaissance Christ. Wait a minute… is cette looking at us?

A mysterious, obsessive, enigmatic piece created by one de the greatest contemporary artists,On the concept of thé Face, regarding the Son de God asks in devastating mode the question de the meaning ns life par summoning auto phantom of faith. An ode venir compassion, a meditation nous the sacred power of de lart and an examination ns suffering et dignity, this very moving play enjoins the spectator to rethink thé great passions and fevers du the human being condition.

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PRODUCED by SOCÌETAS RAFFAELLO SANZIODIRECTED par ROMEO CASTELLUCCIMUSIC la ville de granit GIBBONSDIRECTED IN association WITHGIACOMO STRADAWITH tu PLAZZI + SERGIO SCARLATELLA AND DARIO BOLDRINI + VITO matera + SILVANO VOLTOLINACOPRODUCTION THEATER cette WELT 2010 + DESINGEL INTERNATIONAL de lart CAMPUS (ANTWERP) + THÉÂTRE NATIONAL ns BRETAGNE (RENNES) + THE intérieur THEATRE (OSLO) + BARBICAN LONDON and SPILL fermé OF performance + CHEKHOV international THEATRE festival (MOSCOW) + HOLLAND dur (AMSTERDAM) + ATHENS fermé + grèce FESTIVAL du BARCELONA + fermé D’AVIGNON + internationale THEATRE festival DIALOG WROCLAV + BELGRADE internationale THEATRE fermé + SPIELZEIT EUROPA I berlinois FESTSPIELE + THÉÂTRE ns LA communes (PARIS) + ROMAEUROPA bien sur + THEATRE festival SPIELART MÜNCHEN + LE-MAILLON (STRASBOURG / SCÈNE EUROPÉENNE) + THÉÂTRE AUDITORIUM ns POITIERS + PEAK performance
MONTCLAIR STATE

PRESENTED IN association WITH PLACE DES ARTS

WRITTEN de PAUL LEFEBVRETRANSLATED passant par NEIL KROETSCH


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ROMEO CASTELLUCCI (CESENA) SOCÌETAS RAFFAELLO SANZIO

Questions & TransformationsFounded in 1981 in Cesena in northern Italy de the painter and set concepteur Romeo Castellucci, thé musician Chiara Guidi and the philosopher Claudia Castellucci, Socìetas Raffaello Sanzio quickly established année international reputation ont one of the many fascinating contemporary theatre companies, renowned pour the aesthetic radicalism and profound humanity of its plays.


While inspired passant par classics ns Western culture (works passant par Aeschylus, Dante and Shakespeare), thé theatre the Romeo Castellucci and Socìetas Raffaello Sanzio develop follows the performance philosophy de Antonin Artaud where, much much more than auto text, bodies – regularly atypical – concentrate et condense an interpretation in a stage context du thunderous soundtracks and intense imagery. High la technologie is linked with the age-old crafts of dramatic de lart to create human beings that transposer reality v a series de diffractions. Spectacular passant par nature, Castellucci’s theatre des questions the people we live in from an essentially humanist mission of view. His vault slaveslutlisa.com presentations encompass Orestea (una commedia organica?)(1997), Genesi. Native the musée of sleep (1999) and Hey Girl! (2007). His surtout works include Tragedia Endogonidia (2002-2004), année 11-episode cycle of tragic theatre and his Dante trilogy la Divina Commedia – Inferno, Purgatorio e Paradiso. The sapin part was presented at the Avignon bien sur in 2008, where cette was année associate artist the year, et the trilogy was named passant par Le mondes newspaper as one de the best cultural productions de the decade.